By way of collecting his wandering thoughts into a resolve, the king exhibits in his appearance and movements his inclination, anger, pleasure, sorrow, determination, fear, and change in the pairs of opposite feelings. These are the signs of the king’s satisfaction with a courtier (and the reverse indicates displeasure):
"By cognising wisdom in others, he is pleased; he is attentive to others’ speech; he gives a seat; he allows himself to be met privately; he is not suspicious; he enjoys conversation; he spontaneously looks to things without reminder; he is tolerant of rational argument; he issues orders with a smile; he touches with the hand; he does not laugh at what is commendable; he commends the qualities of another behind him; he consults the courtier during meals, sports and when in trouble; increasingly honours the courtier and his followers and averts his troubles; shares secrets with him.”
—Kautilya, in the Arthaśāstra, 5.5:7-10